INDIGENOUS FILM SUMMIT
  • Home
  • 2020 Schedule
    • Opening Remarks and Partner Presentations
    • Indigenizing Social Media in 60 Seconds or Less: ​a TikTok Discussion
    • Indigenous Writers Panel
    • Diversity, Representation, & Inclusion: ​What Does It Mean In 2020?
    • One on One with Elle-Máijá Tailfeathers
    • Rising Indigenous Storytellers
    • Self-care and Wellness In Film
    • Changing The Colonial Mindset On An Indigenous Film Set
    • Indigenous Peoples In Genre & Pop Culture
    • Indigenous Storytelling Through Independent Film
    • Rising Indigenous Producers
    • Script To Screen: A Producers Journey
    • Indigenous Filmmaking, Post COVID
    • Wonder Women: Indigenous Women in Film
    • One on One with Massey Whiteknife (ICEIS Rain)
    • Just Acting All Deadly: Indigenous Actors In The Industry
    • One on One with Gary “Litefoot” Davis
    • 2020 Partner Presentation
    • 2020 Online Indigenous Film Summit
  • About
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Picture
Rhayne Vermette

Following a very conscious departure from architectural academia, Rhayne Vermette (b. 1982,
Notre Dame de Lourdes, Manitoba), figured a distinctive craft within the construction of images
through film and photography. Primarily self-taught, and under the influence of post-war Italian
architects, Vermette’s work is ignited by themes from the Decadent movement as well as
notions of the indeterminate. Her artistic practice comes into focus through a volume of
analogue moving images works exceeding over 20 short films. These films have screened at
innumerable occasions including Images Film Festival, Jihlava International Film Festival,
Festival du Nouveau Cinema, European Media Arts Festival, DOXA, Melbourne International
Animation Festival, and so on ...

Vermette’s art practice focuses heavily on experimental processes which amalgamate
numerous filmic forms into select works - fiction meets documentary, and narratives ignite into
animation. In Vermette’ work space has no limits, and the habitual means of filmmaking exist only to be confronted and exploded.

In 2016, Rhayne was awarded the Hot House award which was created by the Winnipeg Film
Group to recognize the career of an established filmmaker in Manitoba. The award supported
the creation of her first feature length script, Ste. Anne, which is currently in production with an
anticipated release in 2020.
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Photo used under Creative Commons from Traveloscopy
  • Home
  • 2020 Schedule
    • Opening Remarks and Partner Presentations
    • Indigenizing Social Media in 60 Seconds or Less: ​a TikTok Discussion
    • Indigenous Writers Panel
    • Diversity, Representation, & Inclusion: ​What Does It Mean In 2020?
    • One on One with Elle-Máijá Tailfeathers
    • Rising Indigenous Storytellers
    • Self-care and Wellness In Film
    • Changing The Colonial Mindset On An Indigenous Film Set
    • Indigenous Peoples In Genre & Pop Culture
    • Indigenous Storytelling Through Independent Film
    • Rising Indigenous Producers
    • Script To Screen: A Producers Journey
    • Indigenous Filmmaking, Post COVID
    • Wonder Women: Indigenous Women in Film
    • One on One with Massey Whiteknife (ICEIS Rain)
    • Just Acting All Deadly: Indigenous Actors In The Industry
    • One on One with Gary “Litefoot” Davis
    • 2020 Partner Presentation
    • 2020 Online Indigenous Film Summit
  • About
  • Archive